Upstairs Downstairs

I have a new obsession. After finishing Boardwalk Empire (how juicy was the finale!), Downton Abbey and Parade’s End I was in need of a new period drama to feast my eyes on. For quite a while now I’ve been desperately searching the internet for some way to watch the BBC remake of the 1970′s classic Upstairs Downstairs, to no avail. Until last week. On a rare Saturday night in, I switched on the box and lo and behold the ABC was airing the very first episode of season 1! I knew lady fate had a reason for making me stay away from the bottle that night.

For those who aren’t familiar with the show, it is basically the original Downton Abbey. The original 70′s version ran for 5 seasons and spanned between 1903 and 1930. It was set in a large townhouse in London and depicts the lives of the servants “downstairs” and their masters (the family) “upstairs”. The BBC series resumes the story of 165 Eaton Place (the fictional setting of both iterations of the programme) in 1936, six years after the original series concluded.

It centres around Sir Hallam Holland, a young diplomat, who moves into the townhouse along with his wife, Lady Agnes, in January 1936 shortly before the death of George V. They engage former parlourmaid Rose Buck, now running her own agency for domestic servants, to find them staff as they renovate the house to its former glory after years of being mothballed.

Along for the ride is also Lady Agnes’ fiery young sister Lady Persephone, who is a total babe but pretty deluded and has this juicy romance going on with the chauffer, but basically they get into some weird nazi/fascist shit. Sir Hallam’s overbearing widowed mother is AMAZZZE, and she moves herself into the house along with her Indian secretary (who is a sweetheart) and her pet monkey. Downstairs, there’s all your regular maid troubles, like ‘What will I do if the paper arrives late and I don’t have time to iron it before Sir Holland comes down for brekkie!’.

Watch the trailer for season one here for a taste.

I don’t know why it’s so hard to find good photos of the show, these snaps aren’t even the best and serrrrriously do not do the interiors/costumes justice. Honestly it is such a visual feast watching it is like eating three Christmas lunches in a row, if Christmas lunch consisted of mink furs, finger waves and art deco EVERYTHING.

To keep the ball rolling, check out this amaze shoot Karl Lagerfeld shot in the spirit of Upstairs Downstairs/Downton Abbey for Harpers Bazaar US September 2011 issue. It’s totally sexy.

I don’t know how I’m going to stay in every Saturday night from now on…

xx

Though She Be But Little, She Is Fierce!

 

 

Through the forest have I gone.
But Athenian found I none,
On whose eyes I might approve
This flower’s force in stirring love.
Night and silence.–Who is here?
Weeds of Athens he doth wear:
This is he, my master said,
Despised the Athenian maid;
And here the maiden, sleeping sound,
On the dank and dirty ground.

Pretty soul! she durst not lie
Near this lack-love, this kill-courtesy.
Churl, upon thy eyes I throw
All the power this charm doth owe.
When thou wakest, let love forbid
Sleep his seat on thy eyelid:
So awake when I am gone;
For I must now to Oberon.

As I awoke Monday morning with quite the unforgiving hangover, a little angel had sent me an email with well-wishes and a link to a beautiful image of Anita Louise as Tatiana in the 1935 production of A Midsummer Night’s Dream. I had forgotten how beautiful the film is, and it brought back memories of highschool drama productions, where yours truly played the cheeky Puck!

These images definitely eased the pain of too much punch, and I thought I would share them with you all. Isn’t Anita just utterly divine?

xx

What good’s crème de menthe, child, when I asked for a piano?

I am alone for the next 5 days as Jesse left tonight for Newcastle, and I’m already being a sook not 5 hours in. I tend to talk out loud quite a bit which I’m only realising now as there is noone to answer back to my overtly obvious and mindless observations/questions/sweeping statements! Copious amounts of tea, my Gloria Swanson autobiography, baking like a mad woman and an army of old faithful films are my plan to keep me occupied and slightly sane. I settled in to my first night alone in a long time with none other than Bright Young Things.

Bright Young Things is Stephen Fry’s screen adaptation (and I stress “adaptation” since the endings are very different) from Evelyn Waugh’s 1930 novel Vile Bodies. It takes place during 1930s London and revolves around the decadent, cocaine-fueled lives of the young social elite. It’s party party party fun fun fun all the time.

Stephen Fry stayed true to the disjointed style of the Evelyn Waugh’s novel by making the film just as structurally fragmented, which, if you haven’t read the book, might prove to be a formidable task to follow. But there is a story in there somewhere and it centres mainly around a young aspiring writer Adam (Stephen Campbell Moore) and his attempts to secure enough money to marry his longtime girlfriend Nina (Emily Mortimer). It’s kind of a romantic comedy but then again, it’s really not. In the meantime, there’s a lot of partying, cocaine snorting, and fun outings to the racetracks with their absolutely hilarious and totally scene stealing group of friends, namely Miles (Michael Sheen) and Agatha (Fenella Woolgar).

Everytime I watch this film I fall in love with Agatha Runcible all over again and develop an insatiable desire to dye my bob blonde and wear jewel encrusted vests and tuxedos. She is the most fabulously endearing character, delivering every line with a ‘darling’ hooked on the end. Played by a brilliant Fenella Woolgar, in her film debut, Agatha is the character I always look for in each scene. Total girl swoon!

Emily Mortimer is great in it also, with some beautiful 30′s outfits. But the interiors are really what get me in this film, it’s so visually lush!

Put it on your ‘to watch’ list if you are yet to be acquainted with the Bright Young Things. I of course have been researching once more images of the real life Bright Young Things of the 20′s since the credits started rolling (almost 2 hours ago…). As depicted in the film, Bright Young Things was the nickname given by the tabloid press to a group of bohemian young aristocrats and socialites in 1920s London.They threw elaborate fancy dress parties, went on elaborate treasure hunts through nighttime London, and drank heavily and experimented with drugs—all of which was enthusiastically covered by the journalists.

The regular names associated with the group are ones such as Cecil Beaton, Edith Sitwell, Stephen Tennant, Babara Ker-Seymour and Evelyn Waugh himself to name a few. In my internet stumbles I came across the beautiful Brenda Dean Paul, who I had not heard of before.

“Brenda Dean Paul  ‘The society drug addict’ was a well-known actress and bright young thing. Brenda reportedly never went to bed “before four or five in the morning” and attended countless parties. However by the early 1930s and the Bright Young Things were looked down upon as frivolous and decadent and were forced to face the grim situation developing in Europe, and even themselves became bored with the parties that fast began lacking originality and ceased living  their decadent lifestyle. However by this time Brenda had become dependent on Morphine after a miscarriage and also took large amounts of cocaine and heroin. As Brenda’s behavior became increasingly bizarre, she started using false names (Penelope Page, Isolla Hampton, Penelope Paul, J. Beard) “because I am treated as a cross between an imbecile and a crook if I use my own name.”

Partying with artists, tottering about London on high heels, clutching a lapdog, Brenda was notorious. Although she claimed to have worked as a waitress in a club a confidential maid to a lady and later a store saleswoman Brenda’s real professional was drug addict.”

sourced via tumblr

The most tragically fabulous babe!

And now I truly need to stop researching 20′s socialites and get some shut eye!

Don’t forget if you’re in Melbourne to enter the draw to win a double pass to the Love Vintage Summer Show, details in the previous post.

Much love, darlings.

xx

Sick Puppy

I’m siiiiickkk!!!!! And it sucks and I am in a state of delirium, doped up on codeine and glued to my bed/couch. I have the next three days off, an army of movies from the video store and a shit tonne of minestrone. Tonight I found myself watching La Belle et la Bête, eating half a block of turkish delight chocolate and lounging around in lingerie and lace.

I’m wearing my ENORMOUS new knitted floppy 70′s painters beret which is so so comforting to mope around the house in, even if it is pretty ridiculous and I haven’t ventured outside with it yet. Also a 60′s scalloped ecru lace jacket I picked up from the newly re-opened Clara Fox.

Anywho, I’m off to undoubtedly drown myself in tea until the early hours of the morning, but I’ll leave you with my favourite scene from Jean Cocteau’s La Belle et la Bête, which is Belle first entering the castle. I always love the hands holding the candelabras, Belle’s billowing cape, the over-dramatic score and when she glides down the hallway. So amaze!

xx

Veda Pierce is a total bitch, and I love it

So I finally finished Mildred Pierce tonight, the Christine Vachon/Todd Haynes/HBO  2011 re-make with Kate Winslet & Evan Rachel Wood in the starring roles …and I’m so torn between wanting to strangle Veda and wanting to be her best friend. The most loathsome fictional character ever created but also the best dressed?

Wood’s performance as Veda was truly trans-formative.  The film up to that point had been mainly about Mildred Pierce “trying to make it.”  Their relationship seemed secondary and almost inconsequential until Evan Rachel Wood showed up.  She was fierce, fabulous, and, finally, BELIEVABLE.  She was so believable, in fact, that I grew feelings of sympathy and sadness towards Veda.  Wood embodied Veda in physical mannerisms, voice intonation, eye communication: she did it all.  She skillfully communicated the complex torture of an insecure, starving, yet powerful spirit undergoes when it’s rotting to death and struggling to fight it off with a pitchfork.  She had insurpassable chemistry with Winslet.  Mildred & Veda were finally Daughter Adored & Mother Loathed.

I finally understood Veda’s revulsion with Mildred and Mildred’s obsession with Veda.  I think of Mildred as Dorian Grey and Veda as the painting he hides in the closet which accrues all the ugliness he harbours inside.  On the outside, Mildred seems hardworking, loving, and fair, but internally, she’s tortured by an unbearable shame she feels toward her “humble” identity and station in life.

Veda, an extension of herself, takes on all her self-loathing and her relentless drive to rise above that abhorrent feeling of worthlessness — at whatever cost.  She’ll do anything not to be classified as “a peasant — a very ill bred person” — not to turn into her mother.

I could go on, and on, and on.  What I’m trying to say is that Evan Rachel Wood as the terrifying, heartbreaking, and unreachable Veda was truly spectacular.

And these last two screenshots are from my FAVOURITE scene. Honestly I was screaming “KILL HER KATE WINSLET!” at the telly during this. The imagery and colours of the shots are amazing, her naked sly walk to the dresser, her lighting of the cigarette and when she drawls ‘Motherrrr’. So. Fucking. Good.

Guy Pearce was also a great Monty in the mini-series and I’m going to let this photo speak for itself…….

Soooooo juicy!

I totally recommend everyone check this 5 part drama out, it’s honestly one of my top films I’ve seen this year.

Long Live Veda

xx

Two Things…

Two things making this beast of a hangover more bearable…

1. This video of the evolution of women’s dress from the ladies over at Glamour Daze. an early fashion ‘retrospective’ from 1929 looking back at how women’s fashions had evolved in the 15 years spanning from 1914 to 1929. No other fashion era displayed such a change in women’s styles than the years which followed the  First World War up to and through the decade of the 1920′s. The 1914 sequence features clothes designed by Lady Duff Gordon [ Lucille Ltd ]- a survivor of the Titanic and one of the few remembered female names in haute couture of the 1910′ era.

2. This french double waxed floral headpiece from Parisian Cowgirl’s Etsy shop. I’m currently obsessed with vintage wedding dresses and accessories, I’ve recently purchased a beautiful 1920′s cream silk and lace wedding dress and I’m waiting for it to arrive in the mail (photos imminent). I love how unique and stunning 20′s wedding dresses were, not like weddings today that just remind me of Katherine Hiegl movies. Gross.

Happy Saturday

xx

Bobs Your Uncle!

Me, Photobooth, 14/6/2012

I’ve always had my bob. From a young lass with a bowlcut of strawberry blonde to a black, angular cut of a late teen, and now a more sophisticated, sleeker darkest brown. I’ve dabbled in other styles briefly, growing it out to just cut it back once more. Nothing compares to a tapered neck-line, a perfectly shaped fringe and a graduated bob.

Being a bit down this week having still not found a job (please somebody hire me!), I thought I would treat myself to a $25 cut at the Biba Hair Academy (so lavish, I know). I instantly felt more myself again, and it got me thinking about my bob-spirations. So here are some sassy women who I have taken lead from in the past.

Louise Brooks.

My total muse in just about everything, pure perfection. A constant style reference, and one of the most obvious in regards to bobs, but you can’t go past the original pioneer.

Clara Bow.

Especially in her role of Rosie O-’Reilly in Rough House Rosie (1927), this other equally ‘It’ girl of the 20′s has always been a huge influence, and lead me to play with pin curls and various other styles.

Anna Karina in Vivre Sa Vie.

If Louise Brooks is my 20′s crush, Anna Karina is my 60′s Brooks. Beautiful in every film, the doe-eyed Danish actress, singer, writer, director and artist has me in constant battle….to do the chop, or go for the medium length 60′s locks?

Elina Löwensohn

This Romanian-born American actress caught my eye with her take on the bob in the Hal Hartley films, Amateur andSimple Men.

Uma Thurman

Pulp Fiction. I mean really, enough said.

Phryne Fisher (Essie Davies)

Miss Fisher’s Murder Mysteries began this year on the ABC. A new Australian drama set in 1920′s Melbourne, following Phryne Fisher as she “sashays through the back lanes and jazz clubs of Melbourne, fighting injustice with her pearl-handled pistol and her dagger sharp wit”.

I tell you what, if I got a dollar every time the old lady on the train or the man at the convenience store told me ‘You look just that Miss Fisher lady from the ABC!” I would never have to work again. I didn’t want to like this show, the acting and story line isn’t that great, and I HATE being told repeatedly how much I look like somebody else, but this show has fantastic costumes, a lead star with an unfaltering bob and she is SOOO SASSY it’s not funny! Like, seriously has a different man every episode and keeps a gun in her garter. My guilty pleasure for 2012.

So there are some of my favourite bob-spirations!

I’ll leave you with this short story by the beloved F. Scott Fitzgerald called Bernice Bobbed Her Hair. Well worth a read and a laugh.

xx

The Great Catsby

haha!

I’m a little apprehensive about Baz Luhrmann’s adaptation of Fitzgerald’s The Great Gatsby. Maybe it’s just because in my mind no one can replace Mia Farrow as Daisy Buchanan, but I just didn’t get terribly excited when I saw this trailer like I thought I would. Something about it didn’t seem authentic enough. I guess it lives up to the theatrical, over-dramatised and costume-y aesthetic I associate Luhrmann with (not the hugest fan).

Who do you prefer as a couple?

Also why didn’t I know about/have $6000 to buy Mia’s outfit from above when it was up for auction last year?? I need to know who owns this outfit now!!!

I guess we’ll just have to wait and see if Luhrmann gets Gatsby or Catsby.

xx